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ISSN

3082-8244(Oline)
3082-8252(Print)

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SGD$600

Publication Frequency

Bi-Monthly

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Published

2026-03-27

Issue

Vol 3 No 2 (2026): Published

Section

Articles

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秩序、越界与再现:路易·马兰理论下的 “呕吐图像”解读

宋 茹茹

西安美术学院艺术人文学院


DOI: https://doi.org/10.59429/jyys.v3i2.13362


Keywords: 路易·马兰;呕吐图像;身体符号;跨文化


Abstract

本文以路易·马兰“秩序、越界、再现”理论为逻辑,探讨“呕吐”这一边缘身体行为在图像中的再现机制 及其跨文化意义。作为生理排异与心理张力的交汇点,呕吐在艺术史中常被视为秩序失衡与感官失控的象征,体现 了身体的越界性及视觉、感官秩序的张力。由此借助马兰关于再现装置的理论,选取东西方代表性图像,对呕吐行 为的视觉化展开系统比较与解读。


References

[1] Marin, L. (1988). Portrait of the King. Minneapolis: University of Minnesota Press.

[2] Foucault, M. (1973). The birth of the clinic: An archaeology of medical perception. Vintage.

[3] Camille, M. (1996). The Gothic idol: Ideology and image-making in medieval art. Cambridge University Press.

[4] 周一谋.马王堆医学文化[M]. 上海:文匯出版社,1994:186



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