Analysis of the pre-creation of non - cultural heritage animation

  • Ruojuan Jiang
  • Qiuyun Zhu
Keywords: intangible cultural heritage; Animation; Intangible cultural heritage; pre-creation

Abstract

In the era of multi-screen juxtaposition, fi lm and television media have increasingly become an important carrier and tool for record preservation and popularization of intangible cultural heritage. The theory of fi lm and television anthropology on the construction of intangible cultural authenticity, as well as the creation practice of anthropological documentaries and cartoons, provides a methodological basis for us to discuss the application of animation in the productive protection and popularization of “intangible cultural heritage”. From the perspective of fi lm and television anthropology, this paper mainly analyzes the content of early creation, in order to provide theoretical thinking for the practice of promoting the deep integration of animation and “intangible cultural heritage”.

References

[1] Yali Cao. Research on Animation image Theory [D]. Wuhan University of Technology,2007.

[2] Jingwen Zhu. Intervention-style “Deep Description “: Analysis on the creation path of animated anthropological fi lms -- Taking Waltz with Bashir as an

example [J]. Contemporary Animation, 2019(1):3.

[3] Junjian Liang. From Sharing to Fiction: Anthropologist Jean Roush’s Cinematic Revolution [J]. World Film, 2017(1):12.

[4] Hongyu Sun. Dialogue between the imaginary and the Real, Tracing the Origin of the Nation and Debating Human Nature -- The Animation “Rebirth” of

ancient Chinese legendary characters [J]. Film Review, 2019(17):4

Published
2024-03-16
Section
Articles