by Yan Sha
2025,7(3);
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Abstract
In today’s digital era, Vajrayana Thangka art has increasingly become a subject of controversy. Symbolic elements such as the kapala (skull cup) and wrathful deities are often misinterpreted or evoke fear among viewers lacking the necessary cultural and religious context. On social media platforms, Thangka imagery is frequently decontextualized, simplified, or misrepresented, leading to widespread misunderstandings and
distortion of Vajrayana traditions and Buddhist teachings.
This study explores the communicative potential of digital animation in conveying the profound meanings embedded in Thangka art. By employing contemporary animation techniques—particularly motion graphics (MG) in an abstract style—along with time-based and sound-based media, the research aims to create an immersive visual experience that faithfully represents the spiritual and symbolic depth of Thangka. The core objective is to investigate whether digital animated works can effectively carry the same informational, symbolic, and contemplative functions traditionally attributed to Thangka art.The project also adopts a qualitative research approach, including in-depth interviews with experts, focus group discussions, and participant observation, to assess how accurately and effectively digital animation can serve as a medium for transmitting sacred knowledge and cultural heritage. By presenting the core elements of Thangka through dynamic visual language, the project aims to dispel public misconceptions and encourage greater understanding and appreciation of Buddhist art and philosophy.
In essence, this study contributes theoretically to ongoing discussions on the transformation of sacred art within contemporary media environments. Practically, it holds significant value for education, audience engagement, and as a supportive tool for practitioners in meditation and spiritual development.
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