教育与艺术发展

家庭史、后记忆与跨文化能见度：《黑色河流的闪光》的政治身体与舞台叙述

潘 佳怡

中央戏剧学院

DOI: https://doi.org/10.59429/jyys.v3i6.14417

Keywords: 《黑色河流的闪光》；后记忆；政治身体；跨文化记忆

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Abstract

本文以独角戏《黑色河流的闪光》为研究对象，分析其如何通过家庭史叙述、身体表演与跨文化传播呈现智 利军事独裁历史中的国家暴力、性别规训与记忆政治。女主人公对军人外公的崇拜源于军事化国家对主体认同的塑 造，而女性信件的出现揭开了被压抑的暴力证词，将代际创伤转化为可见的具身经验。与此同时，阿连德、皮诺切 特及左翼歌曲等政治符号在北京剧场中遭遇识别断裂，使后记忆成为失去共同体基础的“悬置的后记忆”。该剧既揭 示了家庭与国家之间的暴力同构，也呈现了全球记忆政治中历史能见度的不平等。

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