“Home Coming”: Innovative Expression of Film Industry Aesthetics
Mengfei Ge
Changcheng Wang
DOI: https://doi.org/10.59429/pmcs.v5i4.1147
Keywords: Home Coming; Film Industry Aesthetics; Narration
Abstract
"Home coming" is the first film in China with the perspective of diplomats' evacuation of overseas Chinese. The film is adapted from real diplomatic events and tells the story of Chinese diplomats' calm mediation and leading Chinese compatriots to withdraw from war-torn countries. The diplomatic narrative in the film arouses the collective memory of the Chinese people, and endows the narrative with more possibilities through the group narrative and the shaping of the protagonist. At the same time, through the metaphor of details to emotions, the national image style is constructed with the poetic core, and the film industry aesthetics with unique 'Chinese taste' is created, so that the national regional characteristics can be highlighted and the localization of the film brand can be promoted.
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