On the Methodology of Art Theory Research from the Perspective of “Dynamic Multidimensional Aesthetic Paradigm”
Haoxiang Kan
DOI: https://doi.org/10.59429/pmcs.v5i5.915
Keywords: Dynamic multi-dimensional; Aesthetic paradigm; Art theory research; Methodology
Abstract
This paper aims to explore three methodological enlightenments brought by the “dynamic multi-dimensional aesthetic paradigm of Zen Buddhism” for the study of art theory. First, actively pay attention to the change of artistic phenomena in the dynamic and unconstancy, enhance the “disenchantment consciousness”, and lay the foundation for interdisciplinary research; Second, it gives full play to the discipline advantage of “meta-art theory construction” in the refl ection of “art Tao and Fa eye”; Third, it gives full play to the multidimensional and cross-media advantages of art studies in cross-border and interaction, and strengthens the integration of art studies and “frontier science and technology” in the prospect of “based on the future”.
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