Probe - Media and Communication Studies

  • Home
  • About
    • About the Journal
    • Contact
  • Article
    • Current
    • Archives
  • Submissions
  • Editorial Team
  • Announcements
Register Login

ISSN

2661-4111(Online)

Article Processing Charges (APCs)

US$800

Publication Frequency

Quarterly

Download Full Text PDF

Published

2025-04-15

Issue

Vol 7 No 1 (2025): Published

Section

Articles

Cultural Transformation and Visual Practice: The audiovisual communication rhetoric of Qiaopi Culture as seen from the documentary “Approaching Qiaopi”

Miaoqi Qian

Fujian Normal University


DOI: https://doi.org/10.59429/pmcs.v7i1.9516


Keywords: Qiaopi culture; Audio-visual rhetoric; Audio-visual language of documentaries; Cultural communication strategies


Abstract

This paper takes the documentary Approaching Qiaopi as a case study to explore the rhetorical strategies of cultural transformation and dissemination of Qiaopi culture through documentary forms and audiovisual techniques. Qiaopi, a vital medium for communication between overseas Chinese in the Minnan region and their hometown relatives, carries rich historical memories and emotional symbolism. The documentary Approaching Qiaopi concretizes Qiaopi culture by showcasing the architecture, daily life of residents, historical materials, and reenactments in the Qiaopi hometown, thereby conveying its profound history and simple folk customs. By analyzing the audiovisual practices employed in Approaching Qiaopi, this study explores specific pathways for the visual rhetoric of Qiaopi culture, offering a logical framework to enhance awareness of inheriting and preserving this cultural heritage.


References

[1] Han Xue. Research on the Cultural Dissemination of Overseas Chinese Remittances from the Perspective of World Memory Heritage [J]. Ancient and Modern Cultural Creation, 2020, (06): 93-96. DOI: 10.20024/j.cnki.cn42-1911/i.2020.06.038.

[2] Feng Huiling, Zhang Bin, et al. Research Report on the Construction of “Archival Memory View” and “Chinese Memory” Digital Resource Database [R]. Academic Committee of Basic Theory of Archival Science, Chinese Society of Archival Science. 2012.8

[3] Liu Qianyue. The Genealogy of “Affect” Theory [J]. Journal of Literary Theory, 2018, 38(06): 203-211.

[4] Zhan Lingqi. Scene-based Narration and Symbolic Dissemination: A Case Study of the Documentary “A Bite of China 3” [J]. Contemporary Television, 2018, (06): 63-64. DOI: 10.16531/j.cnki.1000-8977.2018.06.033.

[5] Xiao Naifei. The Image of Boats and Ships in Classical Poetry [J]. Journal of Sichuan College of Education, 2000, (Z1): 38-41.

[6] Nie Xinru. Image as “Imaginary Signifier”: An Interpretation of Christian Metz’s Ontology of Image [J]. Art Forum, 2014, 30(02): 84-89.

[7] Cai Zhiguo. On the Narrative Structure of Television Documentaries [J]. Journal of Zhejiang University of Media and Communications, 2008, 15(06): 8-10.

[8] Cai Zhiguo. On the Narrative Structure of Television Documentaries [J]. Journal of Zhejiang University of Media and Communications, 2008, 15(06): 8-10.



ISSN: 2661-4111
21 Woodlands Close #02-10 Primz Bizhub Singapore 737854

Email:editorial_office@as-pub.com